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Stefanie SchneiderManhattan (Strange Love)2010
2010
About the Item
Manhattan (Strange Love) - 2018,
43x39.5cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on a 35mm analog Negative.
Signature label and certificate.
Artist Inventory No. 30001.
Not mounted.
For sale is a piece of Stefanie Schneider's project 'Strange Love' the sub-story of 29 Palms, CA
Love, lost and unrequited leaves its mark in our lives as a senseless pain that has no place in the present. The ex-lover experiences the residues of love as an amputee experiences the sensation of a ghost limb. It is the tangible experience of “absence” that has inspired this piece. And it is using the nuances of memory and imagination that I have chosen to explore my relationships with my lover, as he represented himself, as I experienced him and as he was experienced by others...
Fragments, perceptions, memories, images, words, emotions, visions overlap, comment and outrun each other, become history while still happening, leave at the same time transient and fixed documents: photographs, films, paintings, text. Someone is not there and therefore even more about.
(Maja Maria Liebau, theater critic)
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2010
- Dimensions:Height: 16.93 in (43 cm)Width: 15.56 in (39.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652313369562
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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- ShippingRetrieving quote...Ships From: Morongo Valley, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
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